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Games
GamelogoBy Australian Ninja

Remnants & Relics. Buttonhole *Special* Feature

Welcome dear reader to Remnants & Relics, the first in an ongoing series of features looking back at various aspects of yesterday's video games. This series is one that I'd hoped to kick off many months ago, but I just haven't had the time to do it justice, until now. So consider this your opportunity to put on your best pair or rose-tinted glasses, open up a luke-warm can of clichés and prepare to hop aboard the way-back-machine.... It came from beyond two dimensions! -A Look Back at Isometric Gaming-

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Toons
ToonlogoBy Australian Ninja

ACMI Day Tripper

Welcome Buttonhole readers to another feature that is so choc-full of goodness that I've divided it into several sections. The top half is about the Indy video games showcased at ACMI. The bottom half is about the Pixar exhibit. It's ridiculously long and all terribly interesting to read, so you may as well read it in two halves, or just the parts that interest you. After reading about the ACMI exhibits on their website and getting more than a little excited, I decided to make the perilous trek to inner Melbourne. With time on my side and money stuffed in my pocket I ventured forth to the train station. Once on board I passed the time by staring out the window, reading a volume of Dark Horse's Concrete and snacking on tasty fruit. Arriving at Flinders St, I wandered around until inevitably finding my way out of the rat-maze like station.

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Toons
ToonlogoBy Australian Ninja

Classic Comic-book Review. Kraven's Last Hunt

"Here lies Spider-Man - Slain by the Hunter" So reads the grave of one of histories greatest superheros. "But he's not dead, is he? What happened to everyone's favourite web-slinger? Spidey seems to be alive and well now, what with his three movie deal and a string of monthly Marvel comic-book titles to his name, so why was he buried six feet under? The year is 1987. The company is Marvel. The character is Sergei Kravinov also known as 'Kraven the Hunter.' Back in the 60's Stan and Steve (Lee and Ditko, respectively) churned out a heap of cool villains for the title "Amazing Spider-Man." Doctor Octopus, The Cham

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Remembering Never CD cover - Women and Children Die First Remembering Never: Women and Children Die First

Hardcore Metal makes a Comeback!!!

Publisher: Ferret Music through Shock

Tue, 26 April 2005

Fazz Profile 01 by: Fazz

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As most of us will have noticed, metal has been blistering back into our consciousness over the past few years. And I for one can say “Excellent”! I love heavy music. Remembering Never is a band that take metal to the extreme. Blistering onto the scene a few years back with their debut release “Suffocates my Words” in 2001, the band has progressed steadily through stages of punk-rock and metal with the lineup change for their 2002 release “She Looks so Good in Red” and finally perfecting their art for 2004’s “Women and Children Die First”.

“Women and Children Die First is a bastard steamroller of an album. The opening track “For the Love of Fiction” is like having a bomb dropped on your ears. Talk about taking extreme hardcore music to the next level. This track is the perfect opener, offering heavy, heavier and even heavier still riffs until you start wondering how these guys got so angry. Next up we have “The Grenade in Mouth Tragedy”. Slowing the pace but not the intensity, Remembering Never spin off in a slightly more melodic direction. Moving between smooth guitar chordal progressions into disgustingly heavy verses seems to becoming an art for this young band. Moving on to track # 3 we are drawn into “Plotting a Revolution in A-Minor”. This track picks up the earlier pace a little bit, showing us that this band are not content to let you off the hook. This song also introduces the rough yet melodic vocal side of the band.

Track 4 bring us “The Glutton”. The introduction reminds us of a more traditional metal song. Don’t let this fool you. The song quickly progresses into a Meshuggah-esq off-time free-for-all with slight pauses, presumably to let your enfeebled ears take a break for 2-3 seconds. “From My Cold, Dead Hands” is track 5. The song title says it all. If heavy and hard is what you want, you’ve got it! This song bludgeons the senses during the verse sections, yet slips into a more melodic space during the pre-choruses. Not allowing time to recover, the choruses are heavier than ever. On to track 6, we get “The Color of Blood and Money”. A dissonant, violent, ball-buster of a track. Will this band ever let up? I hear you ask… The answer being “Hell No!”

Moving through the second half of the album we have “Incisions” coming in a track # 7. Bursting into the outright extreme, this band lists the pace and tension even higher by shifting rapidly between 4/4 punk/metal into 6/8 half-time melodic heaviness and everything in between. “Closed Caskets” is up at track 8. Showing us they’ve still got some punk/hardcore roots, this song lifts off with a misleading hardcore intro, leading us to believe we may actually get to hear something commercially acceptible. How wrong we are. Sure the song has singing and melodic elements, but it’s not something the vast majority of the force-fed public could digest. Track # 9 brings us “All that Glitters is…” Some of you may recognize the drum intro as being reproduced in a loop on MTV’s “Viva La Bam”. This track is all over the place. Hard and fast once minutes, driving rock and metal the next. Moving on…

The last song on this record is “Serenading this Dead Horse”. Remembering Never take a whole different approach with this track. Bringing together elements of dissonant, progressive metal, black metal and punk/hardcore, and this track would have to be my favorite on this record. “F*#k your broken Heart” is the chant for this song, proving to us once and for all that this band has some serious aggression.
Just when you thought it was over, Remembering Never dose up a bonus track… a brilliant rendition of Pantera’s “Stronger than All”. This band finally achieve to a modern standard what many have been trying to do since Pantera’s metal-reign in the mid-90’s. Downtuned and hardcore all the way.

Remembering Never’s “Women and Children Die First” isn’t a record for the faint-of-heart, or for that matter, anyone who routinely enjoys pop chart music. This is extreme hardcore metal at its best. This band reminds me of a weird mix of Atreyu, Melbourne’s own Damaged and finally system of a down, with some other elements thrown in the mix. If you’re into metal, definitely check this record out.

www.RememberingNever.net


by: Fazz

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More articles by Fazz

Metal lives on!

Overall:
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Toons
ToonlogoBy Borgieman

Manifest '07 Report

Ninja's note: Once again, it's time for another Buttonhole report on the Melbourne Anime Festival, otherwise known as Manifest 2007. If you missed Ichibod's feature on a previous Manifest, check it out here. This Manifest coverage comes to you courtesy of forum regular and newest Buttonhole contributor Borgieman, a cool guy who knows his Anime and has been known to play a video game or two. So read on true believers! A Day at Manifest 2007

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Toons
ToonlogoBy Australian Ninja

Only Yesterday. Anime Review

The problem with having favourite films is that every time I watch another Studio Ghibli film it becomes my new favourite. It kind of renders the word 'favourite' meaningless when every Studio Ghibli film takes my breath away. Still, I can't complain about being thoroughly entertained by this whimsical and insightful film, "Only Yesterday". This gem was directed by Isao Takahata, well known for his anime film Grave of the Fireflies. Although Only Yesterday is a light hearted film that ambles along at a leisurely pace, it still manages to explore themes such as love, work, family relationship struggles, following your dreams and country versus city living. In the film, the main character Taeko decides to take a working vacation in the country, getting away from her office bound job and unexpectedly starts t

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Toons
ToonlogoBy Jason

Speed Grapher V1. Anime Review

Well, "I don't like it" was my initial feeling when viewing this Anime for the first time. Subsequent viewings haven't changed my views a great deal. Nothing really stands out as being absolute shit but it seems that this series tries too hard. It's almost like they were more interested in creating something 'edgy' and confronting but sadly forgot to include an even remotely palatable story. The hero of this particular piece is a bloke called Tatsumi Saiga. Tatsumi is a photographer and a veteran war journalist for whom taking photos has become somewhat of a fetish. Although he seems to have become jaded - nothing is worth wasting his film on - that is, at least until he stumbles across an exclusive club for the mega rich

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